Monday, October 28, 2013

Stoned Out Of My Mind | 10-27-13

Hey everyone, got a new edition of SOOMM for ya! So I found out Lou Reed died a few hours before doing the show, and it bummed me out, but I wanted to do something to help honor the man, so we start things off with the best L. Reed cover out there and that is Watery Love's take on "Leave Me Alone" which I have been known to play constantly on repeat while at work. Speaking of WL, they got a new single in the works comin out by the end of the year on In The Red Records, check out the sample track on Testostertunes soundcloud. Sick!! rest of today's podcast is full of lots of great shit including both sides of the new Gary Wrong Group and Wizzard Sleeve split single "Halloween Violence", both 2013 Kitchen's Floor singles which are actually retrospective I guess ("Regrets" originally released in 2010 but severely OOP since then and "Deadshits" recorded/released on CDr back in 2008) big thanks to R.I.P. Society and Easter Bilby Records for getting those out to the masses, the absolutely essential Ego Summit "The Room Isn't Big Enough" reissue on 540 Records, and some of the best stuff I've heard lately Sacred Product and Satanic Rockers both the brainchild of Lynton Denovan, and if my "Fu Kung" review didn't convince you to go check'em out well you can do it right here, top of the pops for 2013 without a doubt, plus lots more, tune in below (ps: i managed to save the last song from getting cut-off by splicing in a different rip of the ending, hopefully ya can barely notice):

Watery Love - Leave Me Alone (L. Reed R.I.P.) | Die With Dignity 7" | Siltbreeze | 2012
Gary Wrong Group - Dream Smasher | Halloween Violence 7" | Pelican Pow Wow / Jeth-Row | 2013
Constant Mongrel - Perks and the Thrills | Heavy Breathing | Siltbreeze | 2013
His Electro Blue Voice - Abuser | White Wall 7" | Bat Shit | 2012
His Electro Blue Voice - Born/Tired | Ruthless Sperm | Sub Pop | 2013
Lower Plenty - How Low Can A Punk Get? | Hard Rubbish | Easter Bilby / Special Award | 2012
Kitchen's Floor - Deadshits | Deadshits 7" | Easter Bilby | 2013
Kitchen's Floor - Dishes | *
Kitchen's Floor - Orbit | Regrets 7" | R.I.P. Society | 2013 orig. 2010
Kitchen's Floor - Regrets | *
Roachclip - Appearing Ill | Discovery Park | All Gone | 2013
Mordecai - Tongue | College Rock | Richie | 2013
Ego Summit - Illogical | The Room Isn't Big Enough | 540 / Old Age/No Age | 2013 orig. 1997
Wizzard Sleeve - Loupgarou | Halloween Violence 7" | *
Sacred Product - Another Shot At Life | s/t tape | Alberts Basement | 2013
Satanic Rockers - The Legendary Pignose | Fu Kung | Alberts Basement / Black Petal / Sunshine & Grease | 2013

Download Link
Alternate, Direct Link
SoundCloud Link
MixCloud Link
image
The Pignose guitar amplifier is the answer to the worldwide demand for a high quality, economical and completely portable amplifier. It's powered by six pen light batteries or by AC 9 volt converter (optional) which can be stored inside the amplifier case. Pignose gives the electric guitar the same mobility as the acoustic. Pignose weighs only five pounds. You can attach a standard guitar strap and sling it over your shoulder. You can use it anywhere. The Legendary Pignose is the perfect first amp or practice amp for the pro's. it's even seen on stage and in the studio. Click Here for Optional Pignose AC9 Power Supply! It's a Practice Amp Practice time doesn't always coincide with access to a power source and a large equipment supply. And you don't always want to practice at high volume. With Pignose, anywhere you practice, (hotel room. garage, limo, kitchen, dressing room or a place in the park), becomes your rehearsal hall. It's a First Amp For the student guitarist, Pignose is the ideal first amplifier. It combines economy with quality. Pignose will never outlive its usefulness as a faithful and dependable travelling, practice and recording amplifier. In addition, Pignose has a preamp-out jack which makes it possible to play the Pignose through a large and more powerful amplifier. Many professional musicians have been using Pignose as a preamp while performing. It's a Performing Amp The Pignose sound has proved so desirable that it now appears in live performance. It's not a question of hooking 600 Pignose in series: it's done by playing into a singular Pignose and amplifying the result with the usual host of amplifiers. It's a Studio Amp If there's a situation where sound is critical, it's in the studio. That is where Pignose will really surprise you. Pignose works in the studio for the Real Pros. For example, on any album, a guitar can first be played into Pignose, then into the board. It's Not Just a Guitar Amp Any instrument you can amplify you can play through a Pignose, including your own voice. These Are Some Pignose Owners: America A The Band A The Beach Boys A Jeff BeckA Stephen Bishop A Jackson Browne A Cheech and Chong A Chicago A David Clayton Thomas A The Eagles A Faces A Peter Frampton A J. Geils Band A Elton John A Doug Kershaw A Led Zeppelin A John Lennon A Kenny Loggins A Paul McCartney A John McLaughlin. Madura A Dave Mason A Jim Messina A Nitty Gritty Dirt Band A Poco A The Pretenders A The Rolling Stones A Leon Russell A Santana A Seals and Crofts A Steely Dan A Steven Stills A Jimmy Stewart A Sly Stone A James Taylor A Ike Turner A Joe Walsh A War A The Who A Edgar Winter A Johnny Winter A Bobby Womack A Stevie Wonder A Ron Wood A Frank Zappa Your name could be on this list someday!

No comments:

Post a Comment